
No-one's
gonna win a Pulitzer prize writing up their Brian Wilson interview. The
man, as has been catalogued a thousand times, doesn't give good interview. His
clipped, brief-to-the-point-of-curt answers are dealt out in Presbyterian portions
- enough to answer the specific question, and no more. No Bono-like dissertations,
no Lou Reed grumpiness, no Pete Townsend confessionals. No colour. I had 25
questions ready, and I asked them all in 15 minutes. Apart from the merest hint
of the triumphant, you could be talking to Brian Wilson's book keeper.
Suffer for your art? This fella wrote the book...
do you have any rituals you go
through before a show?
yeah, I go (sings a scale) 'ma ma ma
ma ma ma maaa'. I do vocal exercises for about 10 minutes, then straight on
to the stage
why do you think that is?
because it's a great, happy, jovial album.
It's a happy teenage symphony to God and everybody likes it
there's
a real diversity of song styles that flows through Smile. What song has
been the most challenging to reproduce live?
I find 'Surf's Up' the hardest one to do live
why is that?
it's just that the melody goes waaay up high
and way down low - it's just very hard to sing
it's interesting you mention that
- I was wondering if you still sing the songs in the original key you wrote
them in?
oh yeah - the songs are all in the same keys.
They've just been twisted around a little bit
tell us how the whole Smile
redux thing came about
well, about 9 months ago my wife said to me,
she goes, er "I think the world is ready for Smile now" and
I agreed. So I taught my orchestra Smile, then we took it to London and
premiered it in London, where we got standing ovations 6 nights in a row - they
loved it there. Then we were so thrilled about that we went into the studio
and recorded it.
that simple
yeah, that simple
because
there've been periods in the past where you didn't want to talk about it - a
chapter in your life you didn't want to revisit. It must have been a real turning
point to finally say 'let's do it'
it represented a dream come true, that we'd
waited for for 38 years. A dream come true was what it was
for those who don't know the history,
why was it never released? What was it that stopped you?
Well Van Dyke (Parks) and I thought we were
too far ahead of our time, so we both agreed to shelve it, put it on the shelf
for 38 years. We just put it on the shelf, we didn't know how long it would
stay there (laughs)... but we knew it was too advanced for people
with the new release, was it a
case of comparing back and forth between the original and new versions?
Nah, we just touched up the lyrics and melodies for the first 2 movements, then we created a third movement all about Hawaii and water and paradise, then we did it
how has your success as a solo
artist in the last few years made you reflect back on your Beach Boys legacy?
There were some ups and downs in that history for you
I'm happy I went out on my own. I'm
much happier on stage now because my band plays better and sings better than
The Beach Boys
Have any of the Beach Boys come
to see your shows?
No, we don't talk to each other - ever
Apparently Mike Love has done an
interview in an upcoming Mojo magazine - have you heard anything about that?
No I haven't - what'd he say?
It hasn't come out here yet, but
apparently he says he wasn't the guy who stood in the way of Pet Sounds
and Smile - he says he's been unfairly portrayed. You haven't seen or
heard any of that?
(long pause) no, I haven't
what Beach Boys tunes apart from
the Smile songs do you do in the live show?
we do God Only Knows, California Girls, Help
Me Rhonda, Barbara Ann, Fun Fun Fun, Surfin' USA and Do It Again - and Surfer
Girl and In My Room, so we do a lot of Beach Boys songs
and you perform the entire Smile
album?
we do the whole album as a continuum - from
one section to the other
that must make for an intense performance
it's not intense, it's just a happy experience,
because it's very uplifting music, that's a good way to put it - uplifting.
Is that lifting you up enough? (laughs)
Legend
has it that Paul McCartney was chewing on a carrot for the original take of
'Vege-Tables'.
yeah, that was true. We gave him a carrot
and a celery stalk, and he chewed 'em up while we were recording. We were all
laughing real hard, you know
he got us laughing real hard
Good Vibrations is often mentioned
as the best pop song of all time. Are you happy to claim that honour?
I think it's one of the best songs - I don't
think Good Vibrations is the best song of all - I think it's one of the better
records ever made. I think The Ronettes made some good records, and I think
so did The Beatles. So, it's a matter of taste
What would you put up there from
The Ronettes and The Beatles as ranking alongside yours?
'You've Lost That Lovin' Feeling' would be
a pretty good record
what about pop writers and performers
working today. Are there any that you particularly admire?
No, I actually still admire Paul McCartney
and The Beatles' music, but I don't really listen to radio anymore
you don't listen to radio at all?
no - there's nothing going on
as far
as I can see and hear, there's really nothing serious going on in the business,
as far as I know
except for Smile, I think Smile is one
of the better things going down
There's talk you're writing new
songs as we speak - what inspires you sit down at the piano and write these
days?
Lately it's been my wife that's been inspiring
me, you know - and my kids
it used to be Phil Spector that used to inspire
me, but not as much anymore
what about the beach and the ocean,
is that still a source of inspiration?
no, I don't go to the beach anymore
I lived on the ocean for 9 years in Malibu in the 80's and early 90's and now
I don't go to the beach anymore
are
there people you'd like to work with in the future?
I'd like to work with Spector if he'd ever
want to produce me, and that's about it - otherwise I'll produce myself
your touring party must be pretty
big with an onstage band of 19 - what's the vibe like in the Wilson tour bus
- party central or cups of tea after the show?
it's a quiet little cup of tea for us - nothing
too rambunctious (laughs)
thanks for your time
where are you?
Melbourne...
thank you sir, we'll see you in Melbourne
¡Tarantula!
the Sand Pebbles' fanzine
'another ghost transmission...'
sandpebbles@brella.org
©2004 Andrew Tanner